Today it’s my pleasure to present an interview with trumpeter and composer Samantha Boshnack. She's participating in the Seattle Women in Jazz Festival’s youth-oriented performances at the Vera Project on Sunday, April 28. Her set begins at 8:00 p.m. and promises to be a blast.
Read MoreMy celebration of JazzApril continues with another interview with a Seattle Women in Jazz Festival performer, this time soprano saxophonist Kate Olson.
She’s a relative newcomer to Seattle, arriving in 2010, but she has quickly made her mark on the jazz and improvised music scenes. In 2011 Kate appeared in the Earshot Jazz Festival and was nominated for an Earshot Golden Ear Award in the Northwest Emerging Artist category. In 2012 Kate was chosen to perform in Earshot’s Jazz: The Second Century series, which showcases the next generation of jazz musicians. And she can be regularly heard around town performing with her own projects including the Syrinx Effect and Sugarpants and as a collaborator with the Seattle Women’s Jazz Orchestra, Ask the Ages, Daniel Barry’s 2 Hemispheres, and Wayne Horvitz’s Royal Room Collective Music Ensemble.
Read MoreYears ago I sat in on an undergraduate jazz improvisation class. Week after week, a collection of non-majors stretched themselves as they learned the art of small ensemble jazz playing. On the whole, they had a lot of fun – listening, collaborating, and experimenting. But I was surprised by how quickly this group of novices adopted the cult of masculinity so prevalent in jazz.
Read MoreI am a Seattle-based jazz historian, writer, and editor. As long as I can remember, I have loved everything musical – be it the music itself, the amazing composers and performers who create it, or the stories behind the scenes. In addition to writing and blogging about jazz and classical music, I have taught music history classes and spoken internationally about big band “girl singers” and women in jazz, including one of my favorite musicians, Sarah Vaughan. This extraordinary vocalist is the subject of my biography Sarah Vaughan: To Bebop or To Be Pop.
Hi, I’m Elaine Hayes, a historian and recovering academic, who has been studying women in jazz for almost twenty years. I write about music and popular culture, teach music history, and speak internationally on jazz vocalists, especially my favorite singer, Sarah Vaughan. She’s the subject of my first book: Queen of Bebop: The Musical Lives of Sarah Vaughan, published by Ecco, an imprint of HarperCollins, in 2017. When I’m not immersed in all things musical, I’m a freelance editor. I live in Seattle with my husband and son.
If you have questions about me and my work, or you just want to say “hi,” I’d love to hear from you. You can fill out this form or email me at elaine@elainemhayes.com.
Welcome to Lady Be Bop, a blog on women in music and popular culture. All music is fair game here, but I'll spend most of my time discussing jazz, in particular jazz vocalists. READ MORE
What's Elaine Reading?
A Blog Supreme
Alex Ross: The Rest is Noise
All About Jazz
Alternate Takes
Analog Honking Device
Brilliant Corners
Dr. Guy’s Musiqology
Down Beat
Earshot Jazz
Eye Shot Jazz
Hardbop Jazz Journal
Jazz Beyond Jazz
Jazz Chronicles
Jazz Journalists Association
Jazz Lives
Jazz Portraits
Jazz Times
Lubricity
Nextbop
Notes on Jazz
One Working Musician
Outside-Inside-Out
Rifftides
Seattle Jazz Scene
Stomp Off
The Gig
The Jazz Breakfast
Today is the Question
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