Female musicians don’t want to be “pretty good, for a girl.” They want to be awesome. Period.

Today is International Jazz Day (I’m throwing virtual confetti as I write this), and that means that Jazz Appreciation Month is almost over. It’s been a busy, jazz-filled month, and once again, I’ve been reminded how lucky I am to live in Seattle. Not only do we have an amazing scene, we have an amazing scene with dozens of incredibly talented women. Many of whom performed during last weekend’s first-ever Seattle Women in Jazz Festival. This was a wonderful event, a true act of love and devotion by its founder Jessica Davis.

That said, jazz festivals devoted solely to women have their pros and cons. Celebrations of women and their accomplishments are, on the whole, a good thing. As is bringing a greater awareness to the hardworking women amongst us. But they also risk marginalizing these same women. It’s far too easy to dismissively say (or think), “Oh, she’s just a ‘woman in jazz,’” then go hear your favorite male musician instead.​

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“I don't self-identify as a woman when I'm on stage. I'm me, I'm a dude.”

“I don't self-identify as a woman when I'm on stage. I'm me, I'm a dude.”

My celebration of JazzApril continues with another interview with a Seattle Women in Jazz Festival performer, this time soprano saxophonist Kate Olson.

She’s a relative newcomer to Seattle, arriving in 2010, but she has quickly made her mark on the jazz and improvised music scenes. In 2011 Kate appeared in the Earshot Jazz Festival and was nominated for an Earshot Golden Ear Award in the Northwest Emerging Artist category. In 2012 Kate was chosen to perform in Earshot’s Jazz: The Second Century series, which showcases the next generation of jazz musicians. And she can be regularly heard around town performing with her own projects including the Syrinx Effect and Sugarpants and as a collaborator with the Seattle Women’s Jazz Orchestra, Ask the Ages, Daniel Barry’s 2 Hemispheres, and Wayne Horvitz’s Royal Room Collective Music Ensemble. ​

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Here Come Seattle's Women in Jazz!

Here Come  Seattle's Women in Jazz!

In today’s JazzApril posting, I’d like to tell you more about the inaugural Seattle Women in Jazz Festival taking place April 26-28. It’s the first festival of its kind here in Seattle and will feature fourteen vocalists, nine instrumentalists, and two big bands. They will perform at Egan’s Ballard Jam House, Rainier Valley Cultural Center, the Triple Door, Vera Project, and LUCID Lounge. And as the fest’s name suggests, all groups are led by or comprised primarily of women.

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